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At risk of sounding new agey, I always tried to immerse myself in improvisation in such a way that it feels like the audience and myself are kind of navigating our way through the sound together. Not sure if it works. Usually when I sit down to play, I have no idea of what I'm going to do beyond the first few seconds. I love the idea of working in your own take of a cover song or two into a set, but personally I'm not technically proficient enough for that. People have told me that they like seeing me push buttons and hearing the relationship between what I do and the sounds that come out. (I play drum machine btw, which usually gets grouped under the umbrella of "electronics".) Personally I like a lot of laptop computer music enough that I don't get bored at those performances. Some laptop people I know figure out ways to bring the computer stuff back into the real world. For example, Marielle Jakobsons uses external speakers to vibrate metal plates that are part of her setup. The most frequent advice I offer to people is "don't play too long". The question to ask is - how long can I play without staying in the same spot for too long or retreading old ground? An audience who wishes you played longer is much better than one who wishes you finished sooner. Matt Davignon www.ribosomemusic.com