Re: Articles on Live Looping as Compositional Tool

["Rainer Straschill" <moinsound@googlemail.com>]

Per, you said:

> Rick and I were the only ones that "improvised with structured blocks" 
>and [...] the daily magazine came out with a review that mentioned 
>exactly that
> "Per Boysen's live looped ambience music with layers over layers of
> sax- and flute melodies was a real experience, and it was obvious that 
>he is utilizing the electronics as his personal expression without being 
>a slave to the technology." [...]
> So this journalist had obviously felt the longer time bows Rick and I 
>were improvising with

At the risk of appearing not to understand what everyone else does:
how is it possible to extract from that review that the journalist had
felt the longer time bows and was able to tell that you improvised
with structured blocks, instead of just jamming?

           Rainer