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----- Original Message ----- > In order to not > being trapped in "experimental composing" I focused on first-take > recording and improvisation. Looping was the technical solution that > made it possible. Exactly my thoughts, and this is what I did with both of my CDs with Robert Sterling. We were sending each other wav files, but when we recorded our parts over them, we treated them as if they were live parts and we were improvising with them in real-time. If you can get in that mode of thought, then it gets damn close to creating what you could do in a live collaborative setting, except that the communication is only one way...sort of like recording live with someone but with a 1 day delay. :) > What I would like to do next - whenever I get the time for it - is to > create music that balances four parts: weird playing, story-telling > musical qualities, pop-style format thinking and DAW techno oriented > production and sound design. I had a chance to try out these ideas > briefly when doing the remix http://www.myspace.com/klaperemixed (2. > Skoro Sam Se Junak Ozenio...) That would be cool. Yes, when you get the time...that's always my same exception. There is not enough time in the week to do the things I want musically. Kris > > -- > Greetings from Sweden > > Per Boysen > www.boysen.se (Swedish) > www.looproom.com (international) > www.myspace.com/perboysen > www.stockholm-athens.com >