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Thanks, Simon. Kris ----- Original Message ----- I'm not a fan of the subscription idea, but emusic.com is my favorite site for buying mp3 downloads. My username is simart. Here are some I think are very good: "Roam the Hello Clouds" "Near Misses" Inventive, cerebral electronic jazz improv--I can't recommend it highly enough, this might be my favorite album of the 21st century "The Cinematic Orchestra" "Motion" and "Every Day" laptop jazz, not experimental like Roam the Hello Clouds, but very well done IMHO, great stuff! "Debashish Bhattacharya" "Calcutta Chronicles" Indian Slide Guitar, Carnatic Guitar Music! Found him through Bob Brotzman "Paul Dresher" "This Same Temple" Classic guitar looping "Karl Hector & The Malcouns" "Sahara Swing" God I love this one! Sounds kind of like "Ere Mela Mela," that mid 70's African music that was influenced by Miles Davis, with some modern electronica elements "Joe Henderson Featuring Alice Coltrane: The Elements" Great Spiritual Jazz from the 70s "Cuong Vu" "Bound" and "Come Play with Me" Challenging Grooves "The Core" "Blue Sky" and "Vision" Hard angular swinging post bop quartet from Norway "Supersilent" "6" I'm still getting my head around this Norwegian Free Death Jazz electronic improv thing On Sun, Dec 21, 2008 at 7:42 PM, Krispen Hartung <info@krispenhartung.com> wrote: > Is anyone subscribing to monthly downloads from eMusic? I have been for > several months now and just love it. I have some really far out improv > music > in my collection because of that service. I was wondering if anyone > wanted > to exchanged playlists? > > I can't quite figure out how to find a user on eMusic, except by finding >a > CD, and then seeing who has it on their playlist. Apparently, you can >make > somone your friend...but it still escapes me. I can't search for anyone. > > Anway, my username is krispen. Below is my current list of downloads. If > you know of anything in the similar category or feel, let me know and I > will > ad them to my wishlist. > > Kris Hartung > www.krispenhartung.com > info@krispenhartung.com > 1-208-724-5603 > > New York Eye And ... > by Albert Ayler > > Pakistani Pomade > by Alexander Von Sch... > > Six Compositions ... > by Anthony Braxton > > 2 + 2 Compositions > by Anthony Braxton /... > > Object 1 > by Axel Dorner And F... > > Bone Structure > by Bendian / Gauthie... > > Pursuit > by BenoÃ(R)t Delbecq > > Verbatim, Flesh a... > by Bob Ostertag > > Guerrilla Mosaics > by Butcher / Masaoka... > > Wisdom of Uncerta... > by David S. Ware > > Barcelona > by Derek Bailey And ... > > The Science Set > by Derek Bailey, Gre... > > Improvisations > by Etienne Brunet/Fr... > > The German Horse > by Eugene Chadbourne > > A Glancing Blow > by Evan Parker > > New excursions > by Evan Parker > > Fluvine > by Fernando Grillo > > > Back At The Velve... > by Fred Anderson > > Die blaue Nixe > by Gebhard Ullmann /... > > Mumbo Jumbo > by Jim Staley > > ANKER / CRISPELL ... > by Lotte Anker > > The Art of Improv... > by Min Xiao-Fen/Denm... > > Streaming > by Muhal Richard Abr... > > Interstellar Spac... > by Nels Cline And Gr... > > Sound Grammar > by Ornette Coleman > > Synapsis > by Oskar Aichinger > > Breaths And Heart... > by Parker.Guy.Lytton... > > Born Broke > by Peter Brotzmann > > Circulations > by Pierre-yves Macé > > The Psyche > by Revolutionary Ens... > > Quartet > by Roscoe Mitchell > > Backwards > by Scott Tinkler > > The Peter Evans Q... > by The Peter Evans Q... > > > -- Art Simon simart@null.net myspace [dot] com/artsimon