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I have some Baroque guitar tablature (Sanz, Murcia, etc.) which contains
specific symbols for 'golpe', making a percussive sound on the face or
bridge of the guitar. It's rare, but it is there, mid/late 1700s.
~Greg
www.myspace.com/gregwilliamsguitarist
http://www.magnatune.com/artists/greg_williams
-----Original Message-----
From: L.Angulo [mailto:labaloops@yahoo.com]
Sent: Friday, January 02, 2009 3:42 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: feedback nylon tapping hedges
i really dont know how to describe that style,you guys know better than i do
about the true inventor,off course we could even go back to the blues and
there were guys tapping on the guitar but i mean that slap harmonics over a
harmonic node and the use of right hand hammer-ons with bass notes and the
left hand for hammer-ons and pull offs, percussive slapping on the guitar
body,unusual strummings tunings etc. if he didnt invent that then it was
Preston Reed or who you guys are mentioning,but i guess he was given credit
for that.In any case because of that style i believe there were few pickup
systems at that time like the FRAP(now trance audio),but i see a lot of of
cats now that do that sort of style having to get special custom made
systems for them,so the market must still be too small...
like looping was!!
www.myspace.com/luisangulocom
--- On Fri, 1/2/09, samba - <sambacomet@hotmail.com> wrote:
> From: samba - <sambacomet@hotmail.com>
> Subject: RE: feedback nylon tapping hedges
> To: billwalker@baymoon.com, loopers-delight@loopers-delight.com
> Date: Friday, January 2, 2009, 12:24 PM
> I don't think Tuck was the originator,didn't mean to
> suggest it,just that Hedges, wasn't. He was great
> though.He was a fan of my old band,so I was very slightly
> acquainted,great guy too. I thought of mentioning Farlow,but
> he didn't exactly tap melodic passages or riffs so much
> as use it for articulating chords,as far as I can tell.I
> never heard him live.I know he had huge hands could reach
> insane voicings,and would do stuff like strum a chord
> fingered high up the neck,then tap a low position bass note
> with the right hand 1st finger while holding the chord. Or
> strum a chord with the little finger while holding a bass
> note with the 1st .Yeah the great Baden Powell,and other
> Brasileiros ,like the Flamencos did all sorts of percussive
> tapping.
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> If
> we take eternity to mean not infinite temporal duration but
> timelessness, then eternal life belongs to those who live
> in the
> present.Ludwig Wittgenstein
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> Ok well, as far as I know Tal Farlow beat
> everyone to it, at least to the finger tapping part.and
> that's not
> talking about the Brazilian guys like Baden Powell, who
> could mimic a samba
> batteria with percussive slaps and scrapes on his guitar.
> This was happening
> back in the 60's at least.
>
> Bill.
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> From: samba -
> [mailto:sambacomet@hotmail.com]
>
> Sent: Friday, January 02, 2009
> 9:05 AM
>
> To:
> loopers-delight@loopers-delight.com
>
> Subject: OT:feedback nylon tapping
> hedges
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>
> "... two hand tap acoustic guitarrists,... since
> Michael Hedges invented it."
>
> Heges was brilliant,inspiring etc. But definately
> didn't invent tapping. My friend
>
> Paul Prince,(an excellent guitarist,prolly the first to
> apply tapping to African guitar styles)
>
> told me about sitting with Hedges at the old Varsity
> Theater,
>
> in Palo Alto ( sort of the clubhouse for Windam Hill)
> listening to Tuck Andreas,who was tapping
>
> and Hedges saying "that's it" He got the
> idea from Tuck.
>
> But maybe you meat Hedges picku system,which wa highly
> worked out,esp fro his modern harp guitar.