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I like it because the piece evolves at a nice pace (a guy like me would call that "instrumental music storyteller skills" but you may call it whatever you want... maybe saying "It's got a nice flow to it!" ;-) Themes develop and comment on each other, surprises are thrown at you with power. This process relies not only on good playing technique (bends reach the micro tonal pitch that sounds good, vibrato or no vibrato applied with a personal expression, never the feeling of one-note-too-much) but also on the looping and the guitar sound through the amp/speaker. The guitar sound you use is not very common in livelooping muisc and I happen to love that sound. Bottom line: it's simply musical without copying someone else and performed with big ears. Per On Tue, Mar 3, 2009 at 12:45 AM, Anders Bergdahl <anders_e_bergdahl@hotmail.com> wrote: > TACKAR OCH BOCKAR, > > My I ask why you like it, i hesitated posting it since it sounded sort of > out..... One of the most intresting you heard, can't be that bad then > I really appreciate you're comments, and others comments, I'm here to >learn.