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Quoting margaret noble <margaretnoble2000@yahoo.com>: > > > Questions (Clearly Subjective!) > > - Is there a tolerable amount of cents you can be off when trying to > be in key? > Hi Margaret, This depends on some factors. If the sounds are sustained and have little vibrato, then tuning errors are more noticeable. It happens that I tune and service pipe organs which are sustained and normally are played without vibrato. Within a division, it is important to have everything in tune (because errors tend to accumulate). Across divisions, the tuning may drift (due to temperature variation) and as long as they stay within 4 cents of each other, then the "out of tuneness" doesn't interfere with music making. From 4 to 8 cents the divisions start to "celeste" -- that is, the out-of-tuneness produces noticeable beats that are still "listenable". Beyond 8 cents, the tone develops into a "honky-tonk" effect -- beyond 12 cents it just sounds "sour". When looping the theremin, I endeavor to stay within four cents of the target pitch. Again, instruments that are not sustained may not be as noticeable. > > - When mixing in non-traditional sounds together, how disturbing is > it to listeners if tunings are loose? > For my ears, if the tuning is non-standard, then nothing jars my ears. However, to include non-standard pitches in the midst of an otherwise tonal work may sound like a "wrong note". An example, when a singer is accompanied by a fixed-pitch instrument (a piano) and hits a non-standard pitch, most listeners will percieve it as a "bad" note rather than a new tuning. In fiction, there is a concept of the "suspension of disbelief" -- and I think a similar concept works in music. If you set up a "frame" based on non-standard tuning, then it is easier to accept quarter-tones and other "non-tempered" pitches. I always enjoy your work and look forward to hearing where your exploration of tuning/pitch/harmony will take your music. -- Kevin