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LOL again - The things that happen to loopers in bed:
I started thinking about the purely rhythmic possibilities of this. Let's use a percussion sound instead. Same thing; record it on 3 tracks. Now rate-shift them to generate polyrhythmic patterns.
So, I made a spreadsheet to calculate the frequency ratios over 2 octaves. The reciprocals of those ratios give you the time values of the rate-shifted tracks, so if you consider 1 cycle to be a whole note (4 beats) in 4/4, then rate-shifting +12 gives a 1/2 note, +24 gives 1/4. OK. Now shifting +7 gives you very nearly a 1/4 triplet, +17 very nearly a 16th, +19 a 1/8 triplet.
The last 3 would drift, of course, because they're not exact, but they're pretty close, so they might be useful for a short time, or let 'em drift and deal with it. It does make me wonder: If you could script to the exact rate-shifts for various note *time* values, then all kinds of neat mayhem could be created very quickly by using Simeon's method of recording a single sound (or pattern) on three tracks at once and then rate-shifting the other 2 tracks. I'm thinking 3 tracks for chord manipulation and 3 more for percussion sounds, leaves 2 for melodic looping. Of course you could use different sounds on each track.
The spreadsheet isn't exhaustive (pdf at http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf ). It's just a germ of an idea that needs a lot more thought. -if anyone wants the .xls file, just email me -or let me know if I'm re-inventing the wheel ;)
k
On Thu, Mar 3, 2011 at 2:30 AM, Simeon Harris <simeonharris40@googlemail.com> wrote:
> lol! i'm gonna try that!
>
> On Thu, Mar 3, 2011 at 3:15 AM, Keith Smith <kahsmith@gmail.com> wrote:
>>
>> Then there are the insane possibilities of doing it with a very simple
>> rhythm.
>