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Re: OT/spam my Avant garde/ modern classical output for 2011



Thank, William, for adding this informative text! I had a quick glance
and noted that the good looking artwork implied something like this
but I found no linear notes. Keeping this on my listening list for
upcoming tome windows (isn't it exiting to live a modern life between
eventually upcoming windows!!!).

Good questions, Andy! They had been bouncing around my subconscious
too but I was too lazy to dig in.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Sat, Dec 24, 2011 at 11:01 AM, william middlemiss
<billymiddlemiss@gmail.com> wrote:
> Andy! Thanks for the compliment!
>
> To answer your questions:
>
> a) Well, because I couldnt find any other description!
>
> b) Because those are descriptions that invoke a tradition, a lineage 
> which
> these ideas are part of. Classical because there are 12 tone elements,
> phasing explorations, musique concrete, classical instrumentation in 
> parts.
> Noise/sound ideas taken from Germany in the 50's where Stockhausen 
> worked,
> and sound pieces drawn out in a similar fashion to Xenakis' UPIC 
> drawings.
> Why modern? because some of my concepts are sprung from modern visual art
> used in a musical context, and because the ideas I use do not belong to a
> historical context in the context which I use them. Why avant garde? 
> because
> I cannot find other examples of these ideas being used in this manner, 
> so I
> have inadvertently become one of the first. My thinking was at some 
> points
> as simple as: hey, what if I did a disc with 12 tone guitar, musique
> concrete over drum grooves, and sprinkled in unorthodox instrumentation 
> and
> electronic sounds.- That is what the "Musique Dubatronics" is.
>
> Abstracktion was me purposefully combining nontonal/oblique guitarisms 
> with
> synthesizers and sound generations which were based around geometric 
> shapes.
>
> Holophonics was an experiment in a 'fractal composition' approach and a
> composition formula which remained consistent at extreme timescales.
>
> And the Ambient record is electronic works with loopers and synths and
> sequencers. Its the most 'traditional' of those works in terms of the
> approach used to generate it, but it also is an intentional deviation 
> from
> any discernible 'form.'
>
> The eclectic approach is simply because I could not find another way of
> releasing the material Ive accumulated and categorizing it in any means
> familiar with the average listener.
>
> So, everything is a little of this, a little of that, and in the end I 
> tried
> to make everything as balanced and value-packed as possible. But, its 
> more
> or less intended to be challenging music. Its also intended to be broken 
> up
> among one's record collection and sprinkled about, as I am completely 
> aware
> that most compilations in this manner are sometimes too challenging for 
> some
> all at once. There's a certain density which appealed to me with these
> 'outside' works, so I was hesitant to break any combination of them up
> further.