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I too thought the keying went ok, Obviousy the lighting was a bit dark on Torben himself, But I considered that an effect, it made him look like he was in a sunset, I just wanted a cactus and a horse to show up. Ed, keying can be tricky, and A Torben said, it's all in the lighting. tips big screen.) the further you can be from the screen the more seperate the lighting can be lighting), as flat and even as poss, pref with "soft boxes" to diffuse the beam, and reduce the hotspot. keylight). Have one or two lights facing backwards towards the camera, and shining on the back of the actors head, add pink (magenta) gel to this light, this will seperate the edges better. compression) use little or no compression on the footage that you will be keying (after effects??) and) don't use iMovie... and finally, If you want a desert background, consider going to the desert. >> video Sent from my (advertisement removed) On 29 Aug 2012, at 06:26, Ed Durbrow <edurbrow@sea.plala.or.jp> wrote: > >> The purpose of this video, was for me to test out my new fully covered >> chroma key green screen studio, that I recently finished building. Need >> to work on the lighting, My first effort at blue screen was a disaster, >> well, it didn't go as I wanted anyway. > > Ed Durbrow > Saitama, Japan > http://www.youtube.com/user/edurbrow?feature=watch > http://www9.plala.or.jp/edurbrow/ > edurbrow@sea.plala.or.jp > > >