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D major tuning low to high D, A, D, F# (+1/2, for sus, +1, for lydian#4), A (+1 for maj 6), D D sus 2 tuning D, A, D, E (+1/2, for b3, +1, for maj 3rd), A ( 1/2 for b6, +1 for maj 6), D D minor tuning D, A, D, F (+1/2, for maj 3rd, +1, for sus 4), A ( 1/2 for b6, +1 for maj 6), D D sus 4 D, A, D, G (+1/2, for b5, +1, for 5th), A ( +1 for maj 6), D i also use variants of these in C and also in open G and its mutations as well, moving to E requires lighter gauge strings than I like to use for lap steel playing but i've gotten good results when i did, i would recommend you start with the current gauge of strings you like to use. it seems that the heavier the gauge the less up or down maximum range you can get and the strings are under heavier tension as well so breaking them is easier and keeping the strings fresh particularly on the levered strings is important. as a general rule anythin higher tna a major second up bend is riskier for string breaking
have fun Bill