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Nice trick, Andy! Cross-fading "old loop layers" vs "source audio input". Speaking about continuos control pedals, I'm also starting a bit to like switches for these kinds of processing. Right now I'm testing to have a foot switch circle through four alternative FB levels (100%, 70%, 20% and 0%). To this I also set the looper FB to only be active in Overdub mode; i.e. if using 0% it will work as traditional EDP Substitute and if using 100% it will equal plain Overdub. The point is to punch in and out and achieve a harder machine-edged effect than you get with the swell pedal. Next thing I will try here now is to make this go over a synced "one-shot" square wave LFO to have the punches happen dead on a beat ("quantised" in EDP-ish). ... Greetings from Sweden Per Boysen www.perboysen.com http://www.youtube.com/perboysen On Wed, Sep 11, 2013 at 7:16 PM, andy butler <akbutler@tiscali.co.uk> wrote: > > > mark francombe wrote: > I think theres something >> >> like that in the Vortex. > > > Yep, totally in the Vortex. > >> Now every >> sound you make will go into the loop and push down older layers a >> bit >> but when you shut up old layers will stay untouched. > > > Another thing is to have a swell pedal on the loop input which is > also connected to drop the FB level. > > andy >