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Oh... maybe this needs just a little more. Adapting to a fixed latency may be a non issue for an experienced musician but tracking and MIDI conversion is difficult because it is not fixed. Lower notes requires longer time to get tracked by a MIDI pickup system because the essens of a low note is slower vibrations. This is why, when I was a MIDI guitarist in bands, played synth bass lines at the very highest fret position and set the sounding synth module to transpose down three or four octaves (faster tracking) Greetings from Sweden Per Boysen www.perboysen.com http://www.youtube.com/perboysen On Tue, Jan 6, 2015 at 2:50 PM, Per Boysen <perboysen@gmail.com> wrote: > Good points, everyone! > > Musicians with experience from playing live can handle latency quite > well. On a big stage there is always a lot of acoustic latency from > the ensemble player's instruments/amps that can confuse your playing > since it is not synced to what your close stage monitor gives you from > the closely placed PA microphones. Another good example is symphonic > orchestra french horn players that often play their hors targeted > backwards so the sound is to bounce off the rear walls before reaching > the audience out there; these guys always have to play a lot "more > ahead of the beat than usual" :-) > > Greetings from Sweden > > Per Boysen > www.perboysen.com > http://www.youtube.com/perboysen > > > On Tue, Jan 6, 2015 at 2:41 PM, Charles Zwicky <cazwicky@earthlink.net> > wrote: >> Good Point. My friend Joe Ferla recorded that Metheney record and said >> it was fraught with such technical hurdles. >> >> On Jan 6, 2015, at 4:13, andy butler <akbutler@tiscali.co.uk> wrote: >> >> >> >> On 06/01/2015 07:06, Ivodne Galatea wrote: >>> Do you think Metheny has trouble tracking driving the orchestrion? >> >> No, but he says he has to play "more ahead of the beat than usual". >> >> >> >> Church organs also have a lot of latency, so it's nothing new. >> >> andy >> >>