Support |
I’ve just gone and bought myself a hardware drum machine and hardware Tascam multitracker — the latter hasn’t even been unboxed yet — but if I view them as sunk costs that simply need to be resold — I’m feeling more and more like I could be attracted to a software setup for recording with live shows simply using the Ditto X2 or the Boomerang III. But that then gets to the matter of finding the right hardware/software combination. Hardware: I’d much rather use an iPad or a Microsoft Surface Pro than something where I’m dealing with a keyboard and trackpad. It seems like it would be easier to position a tablet conveniently for access while recording particularly if it is also serving as the looper. Software: What I want is the ability to take a stereo input and record it to a pair of tracks and also walk it across feeding into a number of parallel stereo loopers. Basically, I need the notion of a current looper that is receiving the input signal and responding to footswitch control. (If I’m ditching the hardware drum machine to cut down on number of physical inputs, then I also need to run some number of virtual instruments as well though those might also generate audio for recording rather than MIDI.) The goal is to come out of a recording session with 8-10 tracks: the raw stereo input, the output of say three stereo loopers, and the drum machines. I could easily see this heading up closer to 16 tracks but at some point that probably involves overdubbing. Audio interfaces: I’m probably going to need to run a small mix board for the input signals and different instruments using processing chains and to drive the monitors. The Apollo twin is a 2x2 interface. (I’ve already got an older Apogee Duet 2x2 that only works with the Mac and not the iPad.) I could get a mixer with a built-in 2x2 interface through presumably that wouldn’t sound as good as the Apollo or the Apogee but it would be one less bit of patching. Advantages or disadvantages to going one way or another? (My current mixers are somewhat aged Mackies.) Control: The consensus seems to be something like the Softstep but my real question here will feed back to software questions. Are there looper/controller combinations that are efficient in their use of control real estate — i.e., they don’t make me burn 3 or 4 buttons on what a hardware looper would likely do in 2? So, there’s my general wish list if I go the software route. I want to improve on the hardware straight-to-two-track approach that has dominated my recording for years. I want to have a better parallel looping system (though the Boomerang III works reasonably well here). I want to have recordings that are easier to edit after the fact. I don’t want to spend lots of time squinting at a computer screen. Suggestions? Mark