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Barry Cleveland
Age:	59
Location:	San Francisco Bay Area
Email Address(es):	1111@barrycleveland.com
Website URL(s):	http://www.barrycleveland.com
Projects/Ensembles:	Multiple solo recordings and formerly a member of the improvisational quintet Cloud Chamber.
Instruments:	Electric and acoustic guitars, software samplers/synths, and percussion.
Looping Gear:	Looperlative LP1
Influences:	Looping: Eno, Fripp, Torn, and the other usual suspects. General: I enjoy and learn from all types of music.
Recordings Available:	Hologramatron, Moonjune Records (2010) Volcano, Supersaturated Records (2004) Memory & Imagination, Supersaturated Records (2003) Dark Matter, Supersaturated Records (1989) with the improvisational quintet Cloud Chamber, which also included Michael Manring (bass), Michael Masley (bowhammer cymbalom, original instruments), Dan Reiter (cello), and Joe Venegoni (percussion), All music may be streamed at: http://www.barrycleveland.com/category/albums CDs and digital downloads are available from various retailers. COMING IN 2016: My collaboration album with French guitarist and synthesist Richard Pinhas (also featuring bassist Michael Manring and drummer Celso Alberti) will be released in 2016 on Cuneiform Records. The album features extensive looping.

Greetings, I have incorporated looping into my music since the early '80s. The 19-minute-long title track on my Mythos album (Audion Recording Company, 1986, and included on the Memory & Imagination compilation, 2003) is based on guitar loops created using a pair of Revox A-77s a la Enotronics. The guitars were played using a violin bow, an Ebow, and Masley Bowhammers—as well as conventionally. In the early 90s, I experimented with a prototype of the Paradis Loop Delay. Guitar and percussion loops from that period became the basis of the first five pieces on disc two of Memory & Imagination, and the basic tracks for the 24-minute-long title track from that album were created using a Lexicon PCM-42. Another track from M&I, 'Echoes on Echoes,' was recorded live for the Echoes radio program in 2001 using a Gibson EDP. More recently, I have used the Looperlative LP1 for looping, along with the looping capabilities of the Fractal Audio Axe-Fx II XL. Cheers! B.

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