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>I've tried this before. If you're looking for clean transposition, >forget the Whammy pedal, since it imbues any signal containing more than >one basic note with a gurgling warblish sound. The first five minutes of >owning it, I freaked out over this ideosyncrasy, but have since come to >enjoy it for its own demented purposes. This "idiosyncrasy" is definitely annoying...BUT, it is a very interesting tool...especially if you do odd things like set the WHAMMY II to two octaves up and then run it thru your TSR-24S set to ONE OCTAVE DOWN...and then vary the pitch of either or both. VERY strange possibilities there. If the funny noise problem would go away, this would be the perfect pitch pedal. It's far more intuitive to use than any rack mount harmonizer, but it has a great range of features. (Programming the Programmable Whammy in the TSR-24S is quite involved...no glitches, but unless I want to spend 30 hours emulating all the stuff the "II"...you get the idea. dave at studio seventeen 173451681734516817345168173451681734516817345168 * * * * * * i'll be downstairs if you need me. * * i'll still be downstairs if you DON'T need me * * (Mr. Blint, Consequences/Godley & Creme) * * * * visit: http:www.adnc.com/web/ambient/index.html seventeen: the ambient music page 173451681734516817345168173451681734516817345168