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On Thu, 17 Oct 1996, Dave Stagner wrote: > I think maybe we've hit on a new thread here. I'm sure most of us > here would agree that digital sound involves some serious compromise, > especially for highly dynamic, wide-range instruments like guitar. I guess I'm the black sheep amongst us, then. Yes, analog loop has its merits, and one of my favorite Vortex patches is the one that simulates a tape-echo with increasingly dark-toned repeats. (Paul, plase do not flame me for advocating the Vortex over the Oberheim, or I shall most certainly implode from the humor of the scenario. :-] ) As far as the old analog-vs.-digital debate, I can say that I've used both formats for recording and can appreciate them both, although I do like the fact that with digital I can anticipate what I'm going to wind up with more readilly. I haven't used an analog tape loop, but it seems to me that you're more subserviant to the limitations of the technology; i.e. you're gonna get diminishing fidelity and hiss whether you like it or not. I guess it boils down to a matter of preference -- much like the choice between the JamMan and the... oh, you know... that other one. --Andre