Support |
>hi matthias, this is in response to "creating a score with the LARUS to >plat >the space of a given room. " > >to me the larus looked like the Lexicon Larc, except that it was probably >near >a prototype or something. what Lucia did was to write a piece for the >larus to >be performed in a specific space in new york city. Lucia's work deals with >pure sound waves... most of the work seem svery focused and completely >conceived - you guys should look him up in the history books. once you Indeed. Alvin Lucier's "I am Sitting in a Room" has got to be one of the looping classics. It consists of Lucier sitting in a room with 2 distant mics, 2 tape decks, and speakers. The recording begins with Lucier verbally describing the process of the piece, which is that he is recording his voice, and after recording, he will play that back through the speakers, and record that through the mics onto the 2nd tape deck. This continues for about 25 generations. At first, you just hear reverberation of the rooms acoustics as he replays the tape into the room. Gradually, certain frequencies begin to stand out, and by the middle of the 2nd side of the lp, you start hearing melodies and textures, while the words are no longer distinguishable. It's a fascinating piece, both for the process and the musical results. ________________________________________________________ Dave Trenkel, NEW EMAIL ADDRESS: improv@peak.org self promotional web-site: http://www.peak.org/~improv/ "A squid eating dough in a polyethelene bag is fast and bulbous, got me?" -Captain Beefheart ________________________________________________________