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David Torn said: >>>andre: i hope i didn't cut yer hose w/my letter; i just felt a wee bit >>>misunderstood, there; never having been an idolater of bobby fripp, >every >>>once in a while i get tired of hearing his name being *equated* w/the >art of >>>looping, ya dig? I replied: >>The problem here is that Fripp has produced a lot of live looping >material, >>ie "here's a looper and a bunch of FX and a guitar, and here's what you >can >>do with them in your own home/ at the pub/etc." So it becomes a standard >>because it's what most of the people on this list do. For example, I >>gather WMS,T is de/reconstructed loops - something that most of us aren't >>really in a position to do, so it's difficult to take as a benchmark. >Now >>if a live, solo DT album were to be released (SUBTLE HINT HERE, DAVID) >then >>it would be something that related to us more as "live" loopers. A >recent >>debate in these virtual pages talked about going "beyond Fripp", but only >>in the sense that his looping methodology is the one we're all familiar >>with. > John Ott added: >Sept 96 issue of Guitar player has David Torn revealing his secrets for >looping for those of you wishing to go "Beyond Fripp". I very inspiring >article. The question (and it's a good one) is "why are we all so wrapped up in Fripp"? It occurred to me after reading Loopers of the World on the Web page - about 80% of players list Fripp as an influence. Now, how many players here sound like RF when we play? C'mon. Be objective. I'm guessing the number's big. Jeez, I do (well, like RF with a bad hangover) and I spend most of my time trying _not_ to sound like him. DT: >>s'pose it's a tad "small" of me, but..... No, it's small of _us_. Looping far exceeds the boundaries of any given player. Michael Dr Michael Pycraft Hughes Bioelectronic Research Centre, Rankine Bldg, Tel: (+44) 141 330 5979 University of Glasgow, Glasgow G12 8QQ, U.K. "Wha's like us? Damn few, and they're a' deid!" - Scottish proverb