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Hmm... as long as I'm talking about exotic musical experiences, here's another one that stands out. One Halloween, my roommate and I decided to drop acid and go to a big party. At this point, a huge amount of cheap LSD was in town. Every time we turned around at the party, some friend or other offered us more. Needless to say, I have no idea how much acid we took (or how we got home, for that matter.. at least we were on foot). When we got home, we decided to put on an Edgar Varese album I had checked out from the library (Varese was a major inspiration for Zappa). By the end of the first side, we were totally terrified by this music. We looked at each other, scared to death, and flipped it over to listen to the other side. That was one of the most frightening things I ever did. I was too scared to NOT listen. After that, I learned to appreciate Varese on other levels. He was brilliant at imitating other senses with sound. One piece, for percussion and woodwinds, sounds EXACTLY like a migraine headache. Again, this will only make sense if you have migraines. But he caught the particular legato rhythm and background noise of a migraine, somehow. Having suffered migraines all my life, I admire the piece more than enjoy it. Another interesting Varese composition is a VERY early tape and electronics composition he made for the 1951 World's Fair (it was meant to be played in quadraphonic, in a specially designed room). After several listens, I realized he had made a sonic painting of a city street... cars driving by, people talking, birds fluttering, etc. -dave By "beauty," I mean that which seems complete. Obversely, that the incomplete, or the mutilated, is the ugly. Venus De Milo. To a child she is ugly. /* dstagner@icarus.net */ -Charles Fort