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At 23:42 21.11.97 +0000, you wrote: >I'm glad Paolo brought up Nels Cline, one of my favorite >musicians and a master of the EH 16 second delay. I`m sitting here with a feeling that I have heard about Nels Cline before. I think it was a "hometown hero" thingy in Guitar Player/World. Does anyone else remember this? Is Nels Danish , by any chance??? I don't know if I'd call him a looper, he uses the delay mostly >like Frisell used to (on say, Power Tools), to timestretch >or reverse a phrase while it's decaying, to build clouds >of noise for endings and transitions, and to get big >throbbing Sonic Youth-like dissonances with one guitar in >standard tuning. I am a huge Frisell-addict and I`m curious of what "Power Tools" are/is/was? Thanks , Thomas W >So now I'm going to babble about his music. >Here are some records he's on besides the new Mike Watt. >Mike Watt-Ballhog or Tugboat? >Julius Arthur Hemphill & The JAH Band-Georgia Blue >Nels Cline Trio- Silencer, Ground, Chest >The Vinny Golia Quintet-Nation of Laws, Against the Grain, >Razor >Live from the Knitting Factory (I forget which volume) >Nels Cline & Thurston Moore-Pillow Wands, In-Store >The Geraldine Fibbers-Butch >Nels Cline-Angelica >also albums by Alex Cline, Brad Dutz, Quartet Music. >others > >Ground and Pillow Wands are my current favorites. The >composition and interplay on Ground are mindblowing in >their depth and diversity, while Pillow Wands has some of >the most beautiful guitar textures I've ever heard. The >Vinny Golia albums give Nels tons of space to stretch out >in what a smart-ass rock writer would call "post-jazz." >Nels' thing (as near as I understand it) is to approach >the Sonic Youth big beautiful dissonant blob aesthetic in >an incredibly musically literate way at the same time he's >attempting a sweet Frisell/Scofield/Metheny thing in a >punk way. Like if Greg Ginn, Jim Hall, and Lee Ranaldo >were all the same person... >Anyway, check him out. > > >-- >Jeff Schwartz >jeffs@bgnet.bgsu.edu >http://www.bgsu.edu/~jeffs/main.html > >