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Sorry to be flogging a few long-dead horses but I'm just now catching up on reading several digests. Re: Lexicon's low-end products - at the NAMM show I became interested in the new MPX-100, according to the literature to be available in April. Someone here posted that it was preset only - I'm not sure if that's true, I seem to remember some "User" dial on the front panel but don't know what it operates and to what extent. My wildest dream is that this will be sort of an LXP-5 with a usable interface (in which case I'd buy it unheard). Gee, if only someone from Lexicon were actually here to chime in with the official word... Re: The JamMan. I finally got it. I love it. I'm in the honeymood throes of "JamMan-itis", where I'm supposed to be spending the afternoon learning a pile of music for paying gigs and find that instead I've spent the last five hours making bizarre sound collages. Now that I have this monkey on my back, I need a memory upgrade. What's the best tip on getting the necessary chips? Re: Music and the significant other - I've always thought one of the best tests of the strength of a relationship was the ability to have interests of your own without your partner being threatened by them. I think there's a certain amount of wisdom in appreciating what your significant other brings to the table that is unique to them. I've taken my wife to lots of concerts where I thought she'd like it, such as the Neville Brothers or Marisa Monte, but she usually knows by the records I listen to at home if she'd rather pass on it and thankfully has no problem saying so. It's funny, I can listen to a lot of stuff that I'd think sounds like nails on a chalkboard to her and she won't bat an eye, but nothing will send her from the room screaming like anyone singing Kurt Weill (but especially Lotte Lenya). Go figure. I'm mystified by that one. Frankly I think the assumption that women are innately unnattracted to 'arty' or experimental music is bullshit and I could offer anecdotal evidence all day, but enough is enough, ultimately I think it says more about the social shortcomings of the person lamenting than the object of his lamentations. I have twin girls (age 3 in April) that like to dance to the Ives Holiday Symphony, Peter Gabriel's Passion and Miles' Jack Johnson, so maybe I'm doing my part in sending a few more weird chicks out into the world:-). As it is, they both want guitars for their next birthday (let's hope for my wallet's sake they don't have their hearts set on a pair of Kleins)... And finally, I offer no endorsement or condemnation of this, but I can't resist sending it, for what it's worth - Herbie Hancock is fond of quoting a piece of advice Miles Davis once gave him: "If you look out in the audience and you see only guys, your shit is dead". Ken R