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Laurie, You said that you found improvisation a key to your music after you had heard Emerson, Lake and Palmer. I've heard other bytes of conversation here about improvisation and looping, and I'm wondering how you feel about looping and improvisation. What do you find in looping that relates to that feeling you had with Emerson Lake and Palmer. Is it the unknown of where loops may move that makes you feel strongly for improvisation, or is this improvisation more in line with actual musical playing not experimentation? In other words, do you use loop equipment as a side element or focal point for improvisation? Mjh