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I played bass in a band through a Vortex and a JamMan. When we finally gigged I needed a rack case. The only one around had a rack mount oscilliscope in it and three empty spaces. We played New Space Pop, so it was perfect. I split the stereo out of the Vortex to the o-scope, which was set to X/Y, the graphic representation of the stereo phase relationship, which makes just about anything look real trippy. But bass notes with stereo delay is where it's at on a 'scope. It was *the* way to get people to watch a bass player, or at least his stuff! I started composing based on what looks nice, and it was pretty consistent with what sounds nice, though certain dissonances look much better than others. The engineer wanted his 'scope back, thus closing a very fun chapter in a book of composing systems that I hope to revisit someday. -eric > I remember seeing the Mermen once, and Jim Thomas had this huge rack full > of all sorts of weird crap that was blinking and flashing. Looked really > cool! I was pretty sure most of it was just there for the LEDs. I was > inspired. > > I've been planning to put a TV in my rack for years. I figure that will > help most people relate better to my music, make them feel more like > they're at home. :-) > > kim > > ______________________________________________________________________ > Kim Flint | Looper's Delight > kflint@annihilist.com | http://www.annihilist.com/loop/loop.html > http://www.annihilist.com/ | Loopers-Delight-request@annihilist.com