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> >the 7" was repressed three times and is now sold out for the last time. > >the webpage you refer to was not put up by RRR and is out of date. > > > >jason > > Three repressings! Golly, must be a great product. > my mistake. two repressings, three pressings total. > RRRon Lessard must have made a few bucks. think about what you're saying. ron made a few dollars? is something wrong with making money? what about the records ron has lost money on? > Too bad that no one who is ever involved with these "cool" projects ever > sees a dime (ahem!). this is a false statement. the lock groove records are the exception to the rule. many artists have released successful records thru ron's label. think about it. do people buy the lock-groove records for the artists involved or for the concept of a cool record? nobody's made a record like that before or since. > Will admit that my track(literally) was only one revolution, but >shouldn't > somebody consider this? (what is the name of yr groove? i don't recall a david myers track.) do you really think you deserved more than what you received? how much should each of the hundred artists received? how much effort did you put into recording that two second snippet of audio? who bought the 7" because yr name is on it? > But isn't there something wrong here? no. > Musicians, are you valuing yourselves enough? Shouldn't you get > *something*, for chrissakes? if you received two copies, you received one more copy than you deserved. if you wanted to make money with the record, you could've bought some from ron at wholesale cost and sold them yourself. most of the artists i know are simply thrilled to be on the record and were very very happy to receive their copy as payment. stop whining, you're making loopers look bad. jason ps., anybody out there want to buy a copy of the new and exciting RRR-500 lockgroove record?