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By hooking up the brother sync I/O's of two EDP's. and midi out of one to midi in of the other, one can become a master, and the other a slave...then the outputs of each can be run to a stereo mixer. I use a nylon string flamenco guitar outfitted with RMC pickups...to an RMC fanout box...from there I take the six individual string outputs of the fanout box (patchbay) to six individual inputs of a Kendrick 6 shooter 6 channel tube preamp to "warm" the sound....and from the six outputs of the Kendrick, to a 6 channel Behringer stereo sub mixer, where I can adjust and balance individual string levels and panning for each string , to create a curtain of sound...from the stereo outs of the Behringer, I go to stereo inputs on a Presonus Blue Max compressor, (which I kick in for rumba flamenca strums) and out for leads, when I want my dynamics; and from the stereo outs of the bluemax to the two inputs of the two EDP's...from there I go to a AudioPro AP812 rackmounted Yorkville Powered Mixer, which has 400 watts / side, and 12 channels of inputs...the outputs of the EDP's go to channels one and two of this mixer...then I can mess with eq's for the top three or bottom three strings, as well as add resident reverb to the highs and less to the lows......channel 3, 4, and 5 are generally used for the stereo inputs from GR-1,GR-30, and VG-8....11 & 12 are for my Marantz combo tape/cd player/recorder inputs via rca jacks....speakers are Elite Yorkvilles...or for smaller venues Altec monitors (coaxials)...for bigger events I add two crown macrotech power amps, with alesis graphic eq, and a Rane crossover to biamp to an 18" bass speaker and other satellite cabinets. All the gear is neatly rackmounted, and I use the same setup for a coffee house gig, or larger venue...only the speakers and additional power amps are added for the bigger venues. An alternate approach I'm considering is putting the EDPs at the end of the final mixer output....but so far, I've not needed to do that...my main interest has been in looping the guitar rhythm parts, for solo performances.....I'm still getting use to the EDP's...I used to use a Jam man in mono...but didn't like the fact that 2 different loops had to be of the same length, which was not convenient if I wanted to loop a verse with one length, and a chorus with yet another....with the EDPs maxed out to 198 seconds....I've got a lot more flexibility. BTW...one footswitch controller handles both EDP's in sync. Regards, Wayne