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At 11:56 19.11.98 -0800, you wrote: >Dan Bartell wrote: >>> >>> Something that I've found that is absolutely amazing for filtering is >>> the Waldorf 4-pole. It's small, easy to use, and you can filter ANY >>> audio signal that you patch into it via a 1/4" jack. I use it on my >>> tablas before I run them through the echoplex. Check it out at: >>> http://www.waldorf-gmbh.de/4pole/4pole.html > >>So, you said the magic word, "tablas". You got my interest. I looked >>at the website but don't have a good idea as to how the Waldorf 4-pole >>makes things sound. Can you give more detail? Can you point me to some >>sound files? Thanks! >- Dennis Leas > >Generally, a filter is a form of equalization. A wha-wha pedal is a >simple >example of sweeping a filter. > >Resonant filters amplify the signal around the cutoff frequency, accentuating >that particular relatively narrow frequency range. > >Auto-filters or "triggered wha's" do this sort of sweeping automatically based >usually on the input envelope of the instrument. At the most full featured end >of the spectrum are midi controlled filters with ADSR control, envelope input >control, LFO control w/various waveforms etc. Lot's of options! The trend has >been towards analog filters which sound very fat. It's also useful to overdrive >the input of these filters for even more supposed "fatness". > >Some of the more full featured filters are the Sherman Filterbank, the >Peavy >(something or other which is quite reasonable and rackmount), The >Mutronics >Mutator, Waldorf 4-pole (tabletop) and X-pole (2sp rackmount stereo pair) and if >you're interested in a cool sound module w/resonant filters which allow audio >input as well, there's the Waldorf Pulse Plus ... Awesome analog bass sounds as >well as wild event types of sounds and fx. The there's the Waldorf Microwave XT >which is a full-on polyphonic synth with even more capable filters as well as >audio input... Whew. > >I have a Waldorf 4-pole filter and like the previous poster, I'm in love with >it. I'm barely utilizing it's full capabilities, but still far exceeding >the >abilities of the very best stomp box auto-filters... (which do sound quite good >... Lovetone Meatball, EH Q-Tron, Guyatone Wah Rocker) > >Oh yeah ... at least my 4-pole and all the other Waldorf filters at >higher >resonance settings will self oscillate allowing all sorts of spacey >sounds. > >You CAN loop these babies, or place them after the loop for mutating that >as >well as drumboxes etc. > >Ay! yi! yi! >Filter madness!!! >-miko > > i heard a lot about the 4-pole, but havn't had the chance to test it yet. i talked to some guy at a music store and he told me, that filters, including the 4-pole, arn't any good for bass-sound cause you wouldn't hear a lot of differences at low frequencies. is that right ( i kinda don't believe this guy...)? if that's true, would there be any possipility to use filters with my bass, for example split the bass signal, go through a pithch shifter into the 4-pole, then mix both signals and go into the amp... would that make any sense? i just want to have a clean signal mixed with the filtered signal cause i think that the low bass sound is an essential part for the groove of the (/my?) kind of music i make. who else uses a waldorf 4-pole besides miko and dan? could you tell us your experiences with it? lorenz