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>What do all you loopers think? What's the best way to be true to the music >and to let looping continue to evolve into an instrument in its own right, >while at the same time to remain aware of the economic realities involved >with presenting looping to the larger general-business, AOR >top-forty-weaned listening public? I generally stay in lurk mode on this list, mostly because those who post have much better insights on the whole "looping world" than I do! And I've asked myself these very same questions that Tim asks- how do we continue to move this looping adventure forward? It's been a great past week for me- my most recent cd was just reviewed in Billboard (http://www.billboard.com/reviews/reviewdisplay.asp?ID=48969) (if you want to see the whole thing...) and it was a comment in that review that sent my mind onto Tim's question. The reviewer pointed out that I used loops, delays are reverb to create my sounds. True, however, I personally have a hard time viewing "looping" as just another effect, and it sruck me that he was viewing looping as just that- another effect. But, at this point in time, that's what a good portion of the "listening audience (whomever they may be) thinks about looping- "just another effect". IMHO, the answers to Tim's questions are found in Tim's initial question- and that is to stay true to the music. Although there is part of me that would REALLY like to see looping viewed as something that is a unique "instrument", there is another part of me that is thrilled when looping is seamlessly integrated into music, becoming yet another element in it. Personally, I think it would be great to have country loopers, heavy metal loopers, classical loopers, etc.....all styles utilizing this instrument called looping. And I know that there are many loopers of many different styles out there- a lot of you have blown my mind, which probably accounts for why I have a hard time putting my thoughts into words! On a completely different note (but still in the mind blowing catagory!), I have had so much fun playing the past few weeks with my Sustainiac model B!! I hook that thing up to my guitar, and I am constantly amazed at the wonderfully wide range of sounds that come out of it! Being able to switch harmonics with the tap of a foot is unreal, and the unit itself is SO quiet, and that's something that I'm really picky about. Have any of you loopers played around with this thing? I have played a guitar with a built in sustainer, and I didn't really care for it, although others have played that same guitar and have achieved remarkable results. Jeff Pearce