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well i believe it can both ways we all nedd balance baby BALANCE...loop and distort the fuckin' mindisks do vocals use toys destroy the source of the sound.... ---------- >From: Matt Davignon <mdavig@sfsu.edu> >To: Loopers-Delight@annihilist.com >Subject: Re: backing solo performances >Date: Fri, Jul 2, 1999, 5:47 PM > >I have to agree with Mike. I saw an experimental show a few months ago. >One >of the musicians had all sorts of neat stuff in front of him to play. >When >he got around to doing his set, he played a minidisc recording of himself >and played his stuff to the already generated musical background. He >reminded me of Janet Jackson concerts where they play a CD of the music >and >just dance in front of it. > >On the other hand, I really enjoy musicians who create the backing loops >as >they play, then switch instruments and play or loop the other parts >"live". >I always thought that was really cool. > >matt > >Michael Tuminello wrote: > >> Hi - >> >> my original plan was to do something similar (probably midi synth + >drum >backing only), until I saw a guy @ Sidewalk cafe in NY do this. He seemed >like an accomplished musician - he had arranged string tracks and all >kinds >of crazy backing for his stuff. >> >> However, the end result for me was that I felt like he was playing >karaoke. I had the feeling that he wasn't even singing or playing guitar >anymore, and that it was all recorded. (Not true, but that's what it felt >like to me.) At that point I decided that a full band was the way to go. >> >> Other people may have differing opnions (I'm sure they will), but you >should try to check out someone who performs like this before you totally >commit to doing it yourself, in my opinion. I went from no doubt that it >would work to completely discarding the idea. >> >> MT >> >> Greetings: >> In the most recent issue of Guitar Player magazine, there is an >article on the use of MiniDisc backing tracks for live performances by >solo >artists. This article is timely for me because I'm currently developing a >repertoire of recorded rhythmic and ambient accompaniment to supplement >my >guitar looping for solo live performances. My desire is to maintain an >improvisational element in my performance but also to give the gig some >structure with the accompaniment, which I'm committing to CD via my new >HP >CD recorder. I would like to hear from other members of this list who are >doing similar things. I'd be interested in hearing how others use >accompaniment (what kind of medium, what desired effects are being >achieved, etc..). >> > > > > e but >> > > > > e but >