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At 2:23 PM -0800 2/9/01, Alex Stahl wrote: >A not uncommon problem with the cheap reel-to-reel decks I used to >own for this purpose was slight differences in tape speed. As a >result, the tape could get progressively tighter, knocking over the >coke bottles or whatever, or looser, until it unthreaded itself. >This was troublesome but on the other hand, it caused a slight pitch >shift in the regeneration loop which can be interesting. Part of the "art" of the practice was knowing what >My friend Bob Ostertag dealt with this issue in an amusing way: he >used helium balloons as tape guides. The tape between the two decks >ran through a loop tied in the string on a big balloon. The play >deck ran slow, so the balloon gradually rose up into the air as more >and more tape fell slack between the machines. Brilliant! This reminds me in turn of a conceptual/performance tape piece by one of my students at UCSD. The piece was an expression of some jilted-lover hostility and I believe the tape part contained the voice of his ex. The single tape deck was elevated several feet above a table. There was no takeup reel, and the tape spilled down onto the table where a two or three people performed a variety of destructive acts on it (painting, scratching, and finally cutting). At the end of the table the ravaged bits of tape spilled into a trash bit. -- ______________________________________________________________ Richard Zvonar, PhD zvonar@zvonar.com (818) 788-2202 voice zvonar@LCSaudio.com (818) 788-2203 fax zvonar@well.com http://www.zvonar.com