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Re: OT: jaw harps, jews harps....................



--- "Rick Walker (loop.pool)" <GLOBAL@cruzio.com> wrote:
> 
> Rick replies:     At Dror Sinai's amazing, state of the art world
> percussion/instrument store,  RHYTHM FUSION, in Santa Cruz
> (where I'm blessed to live)  there is a very large collection of
> incredible
> eastern european jaw harps (also known as jews harps, but methinks
> that
> this term is an 'Ellis Island-esque' misnomer and I try to avoid it).

Thanks for the explanation of your jaw instruments.  The phrase jew's
harp was the original and only phrase I had heard for this class of
instruments, until recently. 
The etymology of the phrase jew's harp seems unclear, but it certainly
predates Ellis Island immigrants. I found the following at the Jew's
Harp Guild
http://www.jewsharpguild.org/history.html
----------
A Dictionary of Contemporary American Usage (New York 1957), p.259,
reports a recent trend: 

Jew's Harp (Jews' Harp); juice harp. For over 400 years the instrument
... has been connected in English with the Jew's ... Whether any
derogation was originally intended is not known but it is apparently
believed that some might now be felt, for the instrument is invariably
referred to in radio and television programs as a juice harp.
Considering the drooling that often accompanies amateur performances on
the thing, this is a fairly ingenious emendation, and considering the
fact that it is only on radio and television programs that children
hear of the instrument at all any more, the new name is probably better
established among the young than the old name, and one more word has
undergone one more preposterous change. 

Frederick Crane (in VIM #1) says, "To summarize, six words have been
discussed as the original form from which the Jew's of Jew's Harp was
corrupted: jaw's, jeu, jeugd, gewgaw, giga, gawe. The frequency and
dogmatism with which the various etymons have been asserted vary from
very great to very little." 

"In brief: The earliest known written citation of Jew's harp in 1595,
in England. Prior to that it was called Jew's trump (earliest spelling:
jewes trump). Before that it was known as trump in Scotland and
northern England; the origin of the "jewes" preceder is obscure.
However, there is no indication that the origin was connected with
Judaism or the Jewish people. It probably came from some other word --
one possibility is the Old English word gewgaw - and was then, many
years later, "fixed," resulting in the current form. 

Jaw harp is a 20th century creation. It was first suggested as an
origin of Jew's harp as pure conjecture - there is no evidence of that
name ever being used in common parlance before then. From that point,
several different music historians indulged in sloppier and sloppier
research, until jawharp as an origin progressed from baseless
conjecture to absolute "truth". 

Jaw harp, then, is not an invented term intended to be politically
correct, but is rather a misnomer brought to life by bad scholarship.
In its favor, jawharp is a misnomer of a misnomer - a quirky name for a
somewhat quirky instrument. 

An informal survey of Jewish friends over the years has yielded mixed
reactions to the "Jew's harp". Almost all found it inoffensive, or were
puzzled that the question had even been raised; however, the few who
did find it offensive objected to it rather strongly. 

One said he thought it sounded like a slur invented by Christians, Big
Christian harp, little Jew's harp. This is an imaginative yet unfounded
theory, but given the abuse that Jews have suffered throughout history,
it is an understandable one. 

An important fact to consider is that the name Jew's harp in not
considered a slur only because of the historic persecution of Jew's. It
is also because of the negative image the instrument has endured in the
United States. (If, say, French toast were used only for hog feed here,
the French might well be insulted by the term). 

And even though aficionados of the Jew's harp are aware that in most of
the world - perhaps even most especially in Europe -- the instrument
has been revered, not reviled, the fact remains that perceptions can be
as important as fact. A perceived slur can hurt as much as an intended
one. 

English is a fluid, flexible, and capricious language. Whether Jew's
harp, trump, jawharp, or something else enters popular usage cannot
really be dictated. Even if it could, changing language in the name of
"correctness" seems a bit Orwellian. 

PLUCK will continue to use Jew's harp, as it is still the most common
term in use, but when referring to a player of the instrument will use
"jawharpist." We will also use whatever name the maker of a particular
instrument uses, and use a player's choice in name as well. 

The way to combat the perception of the name "Jew's harp" as a slur is
not to try to change the language, but to improve the image of the
instrument. 

We can do that by treating the Jew's harp as a legitimate musical
instrument and encouraging others to do the same." Frederick Crane
suggests (in VIM #4) changing the name to TRUMP. He says, "If I fancied
that I could influence the English vocabulary, I would propose that we
return to the Middle Ages, and make a fresh start by calling the
instrument trump once more. The word has much to recommend it. It is
the oldest known name of the instrument in English, and has an unbroken
tradition to the 20th century in Scotland, at least. It is a cousin of
the oldest terms in the languages of Europe, such as French trompe,
German Trumpel, and Slavic drumla. It isn't likely to be confused with
the names of any other instruments, though it does resemble trumpet.
And it has a nice, folksy quality to it, quite perfect for the
instrument." (See VIM #4 for a complete discussion on this.) 




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