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k. wrote: "going further into the drumming thing... are there any tabla players on this list?" I'm not a tabla player but I play one on t.v. Seriously, I have never studied tabla but I've learned enough traditional and rhythmic technique that I play them occasionally in my looping shows and on pop or folk records. Any one who has made a serious study out of this most amazing of hand drums would know that I'm NOT an accomplished tabla player but audiences seem to really like it when I use them and I love how 'liquid' they are. I'm also really into looping ghatams of all kinds and am really working very hard on my kanjira technique (a small lizard skin frame drum with a lot of melodic capabilities). The kanjira in particular lends itself to proximity effects in micing. You can make this tiny drum sound like God........well maybe not like God, but you get the picture ;-) One thing about the traditional use of the tablas is that Indian rhythms are very linear and are not ostinato/repetitive like the west african/caribbean/middleeastern paradigm. I am extremely fond of playing something like Mozambique from Cuba using all of the delicious melodic aspects of the tabla. It really grooves and is very unconventional. Looping lends itself perfectly to this approach. yours, Rick Walker (loop.pool)