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First: many thanks for the responses/ clarifications regarding "Repeater's" feedback capabilities. Although it looks like I'll still need to keep my multi looper set up (presently 2 DL4s, RDS8000, Vortex) the "Repeater" will fit in nicely and provide more options. Waiting for the day when all this stuff can go on a notebook computer.... Second: In a message dated 8/26/01 2:25:38 PM, sginn@airmail.net writes: << What is actual definition and purpose of "Feedback" and why would you want to control it? >> "Feedback" is basically the fade level of previous layers in a digital delay/ looper. Control of this level lets you either freeze a loop (100% feedback) at its present state, let old layers fade as new layers are added (<100% feedback), or let the loop on one looper fade as you're adding stuff to a second looper. Runing multi loopers and hop-scotching betwixt and between is the best way (at least my favorite way) to continually evolve textures/ themes etc. One example that works effectively in a performance situation is to develope a real "pretty" ambient type texture on one machine, maybe do a little theme playing/ improv. over top, then start gradually building darker, more "violent"/ "frenzied", textures on another looper to the point that your original "mellow" texture (on machine 1) is now obscured. After building things to a musical climax you then set machine 2 to gradually fade out and slowly, out of the aether, your original mellow loop appears. Playing this "tension/release" game is what makes linear music interesting, especially in extended improvs. - paul