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On a related note, I was paging through the new issue of Guitar Player today, and came across a Dean ad. It was typical Dean, a busty woman in a sheer blouse, cradling the guitar between her breasts, mouth half open as if she's thinking "Gosh...something sure would taste good right now..." and so on. This has been the Dean advertising model for some time, but I remember reading an interview with the company owner, Dean Zalinsky, where he said for the first few years, his ads were like everyone else's--famous guitarists with their bitchen' Deans (and these were guys who really did use the guitars). And sales were so-so. Then he took a cue from the rest of the business world and started using sexy woman in his ads, and things took off. "I sold more guitars with a girl in a bikini than I ever did with a rock star" is how I remember him putting it. >That's the whole point here. Big figures in pop culture are what moves >things. If we are interested in what will make looping more than an odd >niche, that's what it takes. A big shift in popular music culture that >somehow includes looping. Fringe artists and a few guys from decades ago >don't do it. On the other hand, there's a John Scofield article in the same issue that shows his pedalboard which features a Boomerang and a Loop Station, and he discusses how groovy the Boomerang is. About 18 months ago it seemed that every issue of Guitar Player had at least one article with some guitarist going on about looping in their playing, it just doesn't get headlines. TH