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>You don't really need to worry about using Sharpies >on commercial CDs >(ones >pressed), the problem as described is with CD-R >media. I've heard the "Sharpies eat through CD-R" story and I'm a bit skeptical since I never hear about what the "safe" pen is and I also remember the urban myth that regular CDs would start to rot after three or four years ("Dude...it's already happening at radio stations..." usually accompanied this information). I've got over a thousand commercially produced CDs, dating back fifteen years, and I've yet to find one that was "rotting". And the idea that analog reel-to-reel is a stable format isn't watertight either. If you store the reels vertically, tail out, in a humidity/temperature controlled environment, with a minute of blank tape between each take to avoid print-through and have the studio assistant rotate the reels in their box a quarter turn each month to prevent the weight of the tape from flattening under gravity's influence AND you're lucky enough to avoid the periodic bad batches of tape that get produced, then you'll probably be able to play the tape back in a few decades. Dig back through old issues of Mix or EQ and you can find plenty of horror stories of 2" masters that need to be baked in a warm oven for a few hours before they'll play long enough [once. maybe] to be transferred to another format (usually digital in the accounts I've read [Roger Nichols/Steely Dan pops to mind]). And these were tapes stored under allegedly professional conditions. For the home user, the idea of maintaining a tape vault is prohibitively expensive and quite unlikely. I've got CD-Rs that are five years old that have been stored under normal household circumstances, and I've yet to have one go bad. Make new copies of all your CD-R masters each year if you're paranoid, or give up the idea that every note needs to be preserved for all time. TH