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> > now let me bring up a couple of neat ideas that make a > > midi looper a cool idea: > > To the ones Jon mentions, I would add: > > * easy algorithmic processing on the looping data (e.g. > a simple fractal algorithm on a small phrase produces > lots of complexity) > * Forcing tonality on the notes, adjusting them to a particular scale > * Forcing atonality (adding slight randomness to pitches) > * Filter half the notes out, making it less dense and > new rhythms emerge > * Convert some of the notes into chords > * etc. > > It's different than audio, and there are pros and cons. > I'm a happy MIDI looper, but I can't say I've explored even > a small fraction of what you could do. I tend to combine > looping with exploration in controllers and other things. See: > these are some really cool ideas, but i think only feasible in a software looper. > http://nosuch.com/images/bm2003 > > for a description of what might be the biggest looping instrument in the >world. > (I doubt that it is, but it'll be interesting to hear about the bigger >ones.) > Come to Burning Man and check it out! > > ...Tim... wow, way cool...