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Re: FAVORITE LOOPING TECHNIQUE



I'm with ya..... should be a fun and educational thead.
 
I have two favorites:
  1. Constructing arpeggios - starting with e.g. a single note or a select few from an arpeggio pattern, add notes at differnent syncopes each succession of the loop overdub (Reichian process composition technique) until 'busy enough' - and a variant: for a given arpeggio, play every n-th note for an N-note arpeggio, where n is not a simple divisor of N. Thus, looping the loop at N will progressively fill in the arpeggio pattern. I enjoy the mental concentration involved in nailing the notes, both pitch and rhythm; the results are typically 'differently interesting' from an arp played straight.
  2. I know it's corny, but I do so love the sound of a reversed thick guitar chord struck and held 'til fade. Sample with output muted, then launch in reverse from silence. Instant drama. Trick is to pick up with the follow-on note/sound on the sharp end of the reversed chord of course.
Cheers,
Nic
----- Original Message -----
From: loop.pool
Sent: Sunday, January 11, 2004 5:01 PM
Subject: FAVORITE LOOPING TECHNIQUE

I think it would be cool to read about everyone's favorite looping
techniques or tricks.    Anybody with me here?

Rick