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A mic with high off-axis rejection, then invert the phase. On Tue, 8 Mar 2005 14:55:20 -0500, tohall@rcn.com <tohall@rcn.com> wrote: > Hi All, > I've been perusing the site and the Archives for awhile now, > but have recently gotten a Boomerang, and have joined the > ranks of wanna-be loopers! > > I am having a lot of fun! However, as an strictly acoustic > (saxophone) musician for most of my life, it is a BIG change > to have to ponder with the realities of dealing directly with > the electronic reproduction of sound. Please be patient if I > ask questions that are staggeringly obvious! > > Here's my first problem: > When looping live with other players, is there any way to > diminish/control the amount of extraneous noise from other > instruments and monitors onstage building up in my loops? > > Thanks, > Tom Hall > www.freeimprovisation.com > >