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>But in a shorter perspective - like the last five to ten minutes >before you will perform - it may be a good thing to fool around a >little with the instrument without actually playing anything. Just >letting your body melt into the instrument while emptying/focusing >your mind. > >I'm very interested in mental attitudes concerning performing and >practicing, since it seems to play a very big part for what comes >out as music. I would be delighted to read what others think and >what you are using for tricks to get it right. > >Greetings from Sweden > >Per Boysen This is interesting to me as well. Most of the time I am a bass player, so it's obvious to me how to get warmed up, practice, be prepared, etc. When I do looping, being a bass player is almost irrelevant, as the electronics become the instrument, so it's a completely different mindset. The fact that the sound may originate from a bass is not part of the equation and certainly all my bass skills have little to do with the music being made. In fact, if the sound is recognizable as a bass, I feel that I have failed somewhat. I am curious how many of us use looping as a way of playing more "conventional" music and how many of us are making the beeps and bloops? Edwin -- Edwin Hurwitz Boulder CO http://www.indra.com/~edwin http://www.cafemontalban.com Location Recording Services