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On Oct 16, 2005, at 21:15, David Trenkel wrote: > And, the funny thing about being "pro" is, I can't afford any "pro" > gear. 8< 8< 8< 8<.... Interesting post. I too have been pro for periods, but I have always struggled to get back into the amateur zone; mostly because I love the music and to play as a life experiment compared to playing as part of someone's marketing plan. I've been hired for studio sessions and once happened to play on hit record, which led to getting hired for the touring band backing up that artist etc etc. Another time me and companion signed up with a major label, made an album and lots of singles as well as a couple of months' global touring. Clever marketing hype resulted in foreign licensing deals and it al spun off business-wise even with no record sales yet (I still wonder who the hell lost all the money that others gained by document ;-). It never got as bad as Albini's essay (a MUST-READ!) but what I missed most in the Corporate Rock Thing Sphere was actually - getting my kicks out of music. I think this whole debate about pro or not pro is a bit too biased for having any fair chance getting to some sort of clue. People are different in music as everywhere; some just enjoy doing the thing their own way while others might think that the option of receiving positive attention justifies doing... well, whatever it takes ;-) Greetings from Sweden Per Boysen www.looproom.com (international) www.boysen.se (Swedish) ---> iTunes Music Store (digital) www.cdbaby.com/perboysen