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> Pretty much other than the name of the act, the location, the date and the cover charge--after that it's all a bit questionable. I think this statement is questionable, not to mention it's not a categorical one. It's a value statement based on what you like to see out of a review, or perhaps just an observation of what you see a lot in reviews, neither of which necessarily imply what a decent and well review should look like (and I emphasize "necessarily" here). I speak to many music enthusiasts who enjoy very much when a music review provides some background on a group or CD and actually shows that the reviewer gives a shit about their artform, other than just doing a cursory review of a band or CD with no regard to context. > Even the choice on the part of the writer as to which "verifiable facts" to include is a series of editorial decisions (as you found out with your own writing and the paper's editors). People's ideas of what's historical or verifiable vary quite a bit. Exactly, so why do you say "Pretty much other than the name of the act, the location, the date and the cover charge--after that it's all a bit questionable"? Are you stating a fact or your own value value statement? If it varies, then neither scenario is necessarily the case. In somw cases and for some people, it will be questionable (like yourself, perhaps), for others not. So, we're not really in a position say that it "ought" to be done one one way or another when reader choice has the final say. Now the artform of writing is a whole differenet matter, part of which is academic and some practical. I won't go into that now. ...just trying to level the playing field here. As with any artform, making categorical statements about the way things should operate or what is questionable or not, is risky business. Making a factual claim about a band or music form is safe..sometimes boring, but perhaps not if the writer is clever and insightful. Making value statements disguised as factual statements gets people stoked and look really insightful and cool, but also piss everyone off that holds the contradictory value statement. The point is that writers are smart enough to discern between these two domains of writing and now how to be insightful without irritating the shit out of 50% of their readers. Kris TravisH On 10/26/05, Kris Hartung <khartung@cableone.net> wrote: > Such as historical or verifiable comparisons regarding melodies, techniques, > tid bids about the band history or members, other things that readers >find > interesting and indicate that the reviewer gives a shit about understanding > the band, the context in which the CD was recorded or produced, etc...you > don't think music reviews areall about value statements do you? Good > reviews most always contain a healthy balance of factual and evaluative > commentary. > > Kris > > ----- Original Message ----- > From: "Travis Hartnett" <travishartnett@gmail.com> > To: <Loopers-Delight@loopers-delight.com> > Sent: Thursday, October 27, 2005 12:19 AM > Subject: Re: Looping back to Krispen's old critics thread (was sorta: using > laptops for music" > > > Verifiable facts? Were you writing for the sports section? Otherwise... > > TravisH > > On 10/26/05, Kris Hartung <khartung@cableone.net> wrote: > > ...I was > > very precise with my language on my reviews, clarifying when I was stating > a > > verifiable fact vs. my own emotional response to the music (i.e., > > distinguishing factual from emotive statements), ... > > > >