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Is anyone contributing to this anymore based on Rick original request? I know it requires some work to do the research, copy the links, data, etc.....I had some more things to share, but I don't want to dominate the thread. I'm hoping to reap some benefit of what others have to say. Does anyone have any tips on how to get reviews of your music? I mentioned Mixposure.com. I joined that and received some great reviews of my music. How about how to get on radio stations. I think I spent a whole weekend a year ago sending out press packs to about 20 radio stations. It probably worked on two of them...not much return on investment, and I'm reluctant to try it again. Kris ----- Original Message ----- From: "loop.pool" <looppool@cruzio.com> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com> Sent: Sunday, January 08, 2006 4:42 PM Subject: WAYS TO SELL OUR SELVES: ONLINE > I'd like to propose a series of threads to collate all of the creative > ideas about > how we can sell ourselves, both through online sales, online promotion, > creating gigs, creating new venues, et. al. > so that we can all use it as a resource in the future. > > The thread, CD SALES DECLINING has had some really excellent > contributions about this phenomenon > and noone disputing the observation of the trend. The next obvious > question is: Given that, how can we > maximize our sales (if we are attempting like many of us are, to be > commercially viable artists) and what creative > things can we do to create a new paradigm for surviving as a fine artist > in this economic climate. > > WAYS TO SELL OURSELVES: ONLINE > > > I'd propose that we NOT discuss philosophy in this thread, but rather, > merely list resources for the purpose of quick reference in the future > for looping artists. For the future of quick reference, please create >a > subthread if you'd like to discuss philosophy (I know, as an example, >that > a > lot of people don't even believe in selling art at all) > > Kris and others have mentioned CD Baby, Itunes, Amazon, et. al. > > Specifically, in each instance, > 1) how does one contact these organizations? > 2) How do they work? > 3) Maybe a little critique, positive or negative about people's >individual > experience with the various vendors. > 4) Any other pertinent information one might think of. > > >