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>If your broke, listen to Andy and get some sort of >distortion with some filters. Couple that with a >volume pedal (I like mine after the distortion and >before the filter and delay) and you can get some >pretty synthy tones out of your guitar with no >glitching. Add and ebow and fun will result. yep, that's the ticket. After, what's an analog synth but an oscillator running through a filter. The guitar becomes the oscillator, so you just need a filter. Then all the distortion does is add a load of harmonics (changing the "oscillator waveform" ) which give the filter more to work on. Even the common wah-wah can sound synthy, if you put the distortion in front of it. If you can get a filter that triggers on each note, that helps, ..and a similar, but more organic sound can be had if the filter frequency responds to the volume of your playing (envelope follower). The EH micro-synth has an octave divider too, that's actually a synthesized tone an octave below the one you put in ( so if you play more than one note it really glitches). So if you go for a simple distortion> filter setup you could always add an octave divider later (Boss OC2 is recommended). The Akai MFC-42 filter is available cheap these days, that's probably worth checking out (I've never tried one, but Per recommends) I actually have, and use the Line 6 Filter Pro. It does have synth sounds as well as filters, so worth checking out. I have to say though, that I'm not totally won over by it. Although it produces a lot of different sounds in one box the synth tones are very "digital" sounding, especially in the upper registers. ( either bad programming by line 6, or just that they didn't have the processing power to do it properly). I had to work quite hard to get sounds I thought were acceptable. other cheap filters MAM Warp 9 , the most synth like, but difficult to program. MAM Res 3 , easy to use, ...quirky Zoom 1201 has a set of nice auto-filters, some of them triggered, and some responding to envelope. andy butler www.andybutler.com info & mp3s