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Recorded yesterday: a new studio performance of "Quarter to Five." http://www.trufun.com/audio/Quarter-to-Five_v1.mp3 I recently bought some new gear, and now I am able to run two independent loops. My first application of this facility is to create what I call "lenticular clouds": using an overdrive to create a rich, sustained tone, and a volume pedal, and working with a loop of arbitrary duration, I create multiple layers of notes that fade in and out, overlapping at random times and in random combinations of harmonious and dissonant intervals. Having created a cloud layer, I switched to the other looper and started a piece called "Quarter to Five" and developed two or three distinct sections, using different guitar tones and effects. I recorded the entire mess into the Microtrack and then loaded it into the Sonic Solutions digital editing system, where I was able to edit out the boring/sloppy/distorted parts and then build the final composition by crossfading between the two main sections of "Quarter to Five" (one simpler, with more discernable "acoustic" guitar and the other fuller, with several layers of legato guitar melody). I also made multiple copies of the cloud bed and arranged them on four tracks, out of sync, creating new areas of dissonance and complexity. Now I'm trying to decide if I'm going to schlep all this gear over to the Larkspur Cafe for tonight's show - which has to do with whether I feel I'm ready to use it in public after only one day of rehearsal at home. -- David Gans - david@trufun.com or david@gdhour.com Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730 Blog: http://playback.trufun.com