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On Jul 4, 2006, at 0:39, improv@peak.org wrote: > But man, having had computers fail > onstage before, I don't know if I'd want to trust them that > completely. This is the reason I have programmed some "looping patches" into my FireworX (hardware fx processor) although I normally do all looping on a laptop (running Mobius). I the computer should break I would be able to keep up with my role in the group.... well, to some extent ;-) > I think there's still a place for good analog hardware. I have yet > to find > a software emulator that sounds as good as my minimoog, my MOTM > modular, > my Space Echo and my Neve preamps. But, over the last few years, I > have > gotten rid of my good digital reverbs and samplers, because Logic's > Space > Designer and EXS 24, through good converters, sound as good to my > ears, > and are about a million times easier to use in my studio. I too produce recordings with Logic and I couldn't have said it better myself. Some records I did in the nineties (before I was able to go full time into experimental looping music) was done with a huge Neve console, all kinds of tube compressors etc and analog 24 tack recorders. I still like that sound but I wouldn't say that it sounds "better" than software. A Neve board sounds like a Never board, that's it. Nuendo (software) sounds like Nuendo etc. I think that most gear and software available today sounds good enough. After all, it's the music that matters. Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) http://tinyurl.com/fauvm (podcast) http://www.myspace.com/looproom