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On Wed, 28 Feb 2007, nico spahni wrote: > I'm working on a new experimental music project by the name of CAM > (Coincidental Audio Manipulation). This is the concept in a nutshell: > > An improvising musician and a sound manipulator interact musically with >each > other in real-time. > > Here are some first attempts with two piano players: > > http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_1.mp3 > http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_2.mp3 > http://www.recpro.ch/mp3/alain_bollag_and_cam.mp3 > > I find the idea of looping someone else rather intriguing. Both >participants > (the looper and the loopee :-) can explore new musical territories that >would > have remained unapproachable by playing on their own. Also, I can fully > concentrate on sound processing while a musician does the playing. Same reason I find this kind of work interesting. Nice work, on the samples. > Do you think this project is worth persuing? Is there anyone who has > worked > in a similar direction? I'd love to hear about your sonic ventures. Yes, i do this kind of thing fairly often. Last year I spent several sessions working with a tuba player, feeding his mic'd tuba into my effects chain an looping and processing it in real time. More on that project I posted to the list here: http://www.loopers-delight.com/LDarchive/200603/msg00934.html We plan to return to more work on this project this spring. Also, last summer I took a 30min live performance (that was recorded) and manipulated it live in real-time as a performance. More info in this email to the list last July: http://www.loopers-delight.com/LDarchive/200607/msg00305.html best, Steve B Subscape Annex http://www.subscapeannex.com/