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It's not clear to me how that would help, since simply changing the length of the loop to match a new tempo is only musically effective (in a conventional sense) if the audio information contained within the loop matches the tempo of what everyone else is playing. I can see if you've got an ambient pad with no real "tempo", but having four 125 bpm bar lengths full of 120bpm music (for example) isn't going to "work" in conventional music. Do you re-record the loop information when you do this? TH On 10/8/07, Cara Quinn <CaraQuinn@onemodelplace.com> wrote: > I use a combo of retrigger / sus-unrounded-multiply on the EDP. This > way I can comfortably play with others changing the loop length on the >fly > and / or retriggering if necessary. The performance is seamless and I >can > overdub while multiplying as well... > > For those not familiar with this EDP feature, it allows you to change > the loop length (either shorter or longer) on the fly and can be > unquantized so one can listen to a tempo and simply expand or contract >the > loop in real time. This is different from the Repeater in that the loop > actually has material added or subtracted from it with the EDP as you do > the multiply, whereas the Repeater can apply time stretching to the loop > using BPM rather than simply defining a length by ear as it were...