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Hi, This morning my Google Alert subscription turned up this old link for me and it hit me that the video's music is a nice example of one of the techniques discussed in this thread: http://www.youtube.com/watch?v=pODg0W3YHH8 Live Looping strategy: In this tune the sax is played through an EDP set to "MooreLoops = 3". The loops are initially empty but in my mind I envision them as three particular chords (don't remember the key now, but if that was D minor they should go as Bb, C and D minor - yep, simple stuff). In the beginning of the track I play melodies lines and punch in notes now and then into the loops (using SUS Substitute in EDP Replace Mode with "Secondary Feedback" somewhere around 70 percent). I make sure to toggle a new loop before my melody improvisation reaches a note that I want to add to this particular loops "chord". As the piece develops these three loops are being filled up with perculating chords and I need to be more careful to jump around the loops in a manner that makes musical sense regarding the "chords" they represent. Recording strategy: The recording strategy was to have the sax direct sound and the EDP live looping output recorded on two different mono channels. The EDP recording was then run through a software filterbank plug-in, the one form OhmForce whatever-its-name-is, that combines dynamic filtering triggered both from an envelope follower to the sax input and from beat synced LFOs. Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.ubetoo.com/Artist.taf?_ArtistId=6550