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Matthias wrote: " he had a stroke about 2 years ago and did not manage to play again since :-(" Very sorry to hear that, I got to hear him play live and his electric sound was really striking, very vocal and expressive. For that matter Terje Rypdal isn't in the best of health either though I'm not sure of the details. One track on Odyssey sounds to me like he might be playing a fender bass VI which is more of an early electric baritone, he plays a really long solo that gets lower and lower, out of range of normal guitar. I haven't owned that album in many years but I seem to recall trying to find those low notes on my guitar and being thwarted, he's holding it on the back cover. Per wrote: "Since having heard Odyssey I went to some of his gigs in the late seventies and was always amazed by how loud they played. It was like "Jimi Hendrix goes jazz" (earthquake volume) and not at all as "delicate" as I had expected the live act to be after hearing the records." I can believe that, I saw Return to Forever with Bill Connors play in a small club in San Francisco and it was Marshall Stack Loud, same with the first time I saw The Mahavishnu Orchestra at Winterland, blazing loud. Those early fusion bands enjoyed their amp stacks. Of course Billy Cobham and Lenny White had a lot to do with ratcheting up the volume. Bill