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I bet *all* the following are possible with the fireworx. Classic way is to use 2 parallel delays of the same length, but with the feedback crossed from one to the other. Then only introduce sound into one of them. Way 2 again with parallel delays is to have a delay R at whatever fbk you want, and delay L at fbk=0, with delay L being half the length of delay R. ..then route audio to both, and output of delay R to input of delay L. Way 3 is to have 2 equal delays in series route audio to del 1 input, del 1 output to del 2 input and del 2 output (feedback) to del 1 I think it's nicer if the dry signal is hard panned, but most fx units don't do that so I expect it can't be called "classic" if you do that. andy ps, is there not a factory preset named "ping-pong"? ...bet that like me you avoid those. mark francombe wrote: > On Fri, Feb 4, 2011 at 2:10 PM, Per Boysen <perboysen@gmail.com > <mailto:perboysen@gmail.com>> wrote: > > It will be "classic p-p" if you set the LFO/Seq to the same duration > as the delay time. > > > > No it wont Per... It will be panned feedback which in its self sound > pretty cool.. but no... remember that a delay can be played at ANY > moment,